Eighteenth-Century French Theatre as Medium for the Enlightenment
Identifieur interne : 001135 ( Main/Exploration ); précédent : 001134; suivant : 001136Eighteenth-Century French Theatre as Medium for the Enlightenment
Auteurs : Hans Ulrich Gumbrecht [Allemagne]Source :
- Diogenes [ 0392-1921 ] ; 1986-12.
English descriptors
- Teeft :
- Absolutist france, Absolutist state, Ancient tragedy, Basic elements, Beaumarchais, Bourgeois, Bourgeois drama, Bourgeois dramas, Chronological sense, Class consciousness, Classic theatre, Communication context, Communication contexts, Communications contexts, Count almaviva, Depraved holders, Diderot, Dramatic production, Early years, Enlightened knowledge, Enlightenment, Everyday experience, Figaro, Figaro trilogy, First time, Formula nature, French dramas, French theatre, Functional history, Genre, Great deal, Hans ulrich gumbrecht, Important role, Italian actors, Italian comedy, Jacques proust, Jacques truchet, Large part, Literary genres, Literary historians, Long time, Major theatres, Marivaux, Mercier, Other hand, Other words, Political opinions, Popular entertainment, Popular theatre, Pragmatic point, Pragmatic view, Primae noctis, Protagonist, Right bank, Royal privilege, Same time, Serious dramas, Social history, Social institutions, Social knowledge, Social position, Social status, Social structures, Special significance, Subjective innocence, Textual structures, Theatre, Theatre directors, Theatre history, Theatrical practice, Theoretical treatises, Treatise, Viewers, Virtuous adversaries, Virtuous struggle.
Url:
DOI: 10.1177/039219218603413606
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001996
- to stream Istex, to step Curation: 001996
- to stream Istex, to step Checkpoint: 000F87
- to stream Main, to step Merge: 001143
- to stream Main, to step Curation: 001135
Le document en format XML
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